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Tonight in Aesthetic Stalinism, er, Trotskyism

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When I think of a nice bedtime story, I think of Trotskyite music reviews. Here’s a lovely review of the new Alicia Keys from noted music publication World Socialist Web Site:

“Girl on Fire” is the album’s most recognizable single and its title track. One hears it everywhere. The song lifts a section of its melody from Berlin’s 1986 power ballad “Take My Breath Away.” Like that song, the single features its share of melodramatic qualities, as Keys’ reaching vocals herald the triumphs of a girl—any girl will do—against the odds. A repetitive and bombastic work.

“Girl on Fire” was also the song played by Keys during her recent performance at President Barack Obama’s Second Inaugural ball. As the president and his wife looked on, Keys sang and changed her song’s lyrics to celebrate them. “He’s living in a world and it’s on fire,” Keys sang, “filled with catastrophe. But he knows he can find a way.” “Everybody knows Michelle is his girl,” she added, “together they run the world.”

This was pretty shameful, although predictable as well. Keys belongs to an affluent layer for whom race, gender and sexuality—and themselves, mostly—are the chief concerns in life and who have no difficulty at this point accommodating themselves to the actions of the Obama administration. Unfortunately, in fact, they hardly give the matter a thought. Such an accommodation with power and money, however, does not go hand in hand with serious artistry and an important treatment of life.

Is it any wonder so much of this music feels so thoroughly empty?

Sleep tight.

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