I was lucky enough to see Robbie Fulks last night at Cafe Nine in New Haven. You should check out his new album. It’s quite good. Here’s an old favorite:
And here’s the lead song of the new album, with a title I think everyone at LGM can support.
For your Saturday night, Louis Armstrong in Copenhagen, either 1933 or 1934 (sources use different dates). This has to be one of the first recordings of live music on film. Sound is pretty good too.
Do you ever wonder what your LGM writers do on Friday evenings, scouring the internet to entertain you? Well this, your daily World War II musical artifact, is pretty much what I do. It goes well with a negroni. As does everything else.
…A film in the same series, “Yankee Doodler” is just a bit more problematic, as music, as racism, and as propaganda. But hey, it stars Fred from I Love Lucy.
Others may have their own choice for the year’s best song, but I don’t know that I’ve heard a song as powerful as Jason Isbell’s “Elephant.” Note: this is not a song that will make you feel happy. It is about cancer. Be warned.
An appropriate song to end this exploration of labor and song is this piece on deindustrialization, Tom Russell’s “U.S. Steel.” I hope you enjoyed this set of labor music.
Sure it might be a cliche, but Charlie Haden at least believes that the people united will never be defeated. Besides, we need more leftist jazz.
Talib Kweli on what working people have to do to get by.
Richard Thompson on love and strikes.
Run-DMC reminds us of the hard economic times of African-Americans during the Reagan years.
The legendary cowboy singer Glenn Ohrlin with a comedic song about the very unpleasant work of castrating farm animals.
Blind Willie McTell on the perils of agricultural work and nature in the American South.
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