This week we deal with disability, gender identity, cross-ethnic relationships (OK, ‘deal’ might be too strong a word) and Mercedes and Santana unleash some amazing vocal mojo. Plus we find out where Quinn has been living since Finn broke it off with her. Plus the old Sue Sylvester seems to be back, sans creepy, vulnerable complexity.
Probably the best scene is between Kurt and his Dad at the end. According to my eight-year-old, “Kurt has really got a lot of interpersonal intelligence.” I don’t know about that, but I did like his song.