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#Slatepitches

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This is definitely old-school. Although I don’t understand why they didn’t go all the way.  While the idea that the puddle-deep Velvets rip in question is the best album of 2001 (off the top of my head — Southern Rock Opera?  The Blueprint?  Love and Theft?  Mass Romantic?  Time (the Revalator)? ), let alone the decade,  is nuts it’s certainly not a bad record, and “Last Nite” is a terrific single.    They really should have had Jonah Weiner make the case for Nickelback or Jessica Simpson.

Or maybe hire Jon Caramanica to expand on the poptimistic case for the “brilliant” Lady Antebellum and their “convincing” album “made in the spirit of the best schlocky male-female melodramas of the 1980s: “Can’t We Try” by Dan Hill and Vonda Shepard, “Baby, Come to Me” by James Ingram and Patti Austin, “Secret Lovers” by Atlantic Starr, “Separate Lives” by Phil Collins and Marilyn Martin, “Tonight, I Celebrate My Love” by Peabo Bryson and Roberta Flack.”

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