As I mentioned yesterday in comments, I've been thinking about the pathetic state of the New York Times columnist section lately. The Washington Post op-ed page is also terrible, but.
What that something might be the Editors do not say. Seriously, very serious people get paid to write this kind of thing: The urge to pull back — to concentrate.
This post is a special request from Anna in PDX to help her work out some thorny issues she faces in her local. If this series can be of use.
Although I probably like Her better overall, 12 Years a Slave is an excellent choice for Best Picture. It's also worth noting that it the first major Hollywood production to.
Glenn Kenny ponders the Best Picture nominees while making the Sunday gravy. I was prepared to get on my favorite Eastwood fanatic for the overrated Million Dollar Baby, only putting.
In comments on Erik's Douthat post below, there is some discussion of the staggering and utter vacuity and general uselessness of the non-Krugman* op-ed writers there. Erik promises a post.
There are a lot of bad Best Picture winners. And I really dislike Slumdog Millionaire, although the other Best Picture nominees that year are no great shakes. I'd like to.
Some links: Timothy Snyder pushes back on allegations of fascist connections in the Ukrainian opposition. Jay Ulfelder wonders about the implications of scholarly engagement. Fred Kaplan argues that Obama could.
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