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Spencer Tracy

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Edward Copeland:

I don’t know what to say about Tracy. Katharine Hepburn once compared him to a potato (she meant it as a compliment), and that’s pretty apt. He’s solid and meaty. He’s there. But he’s not very exciting. There’s a case to be made for Tracy as the most overrated actor of his generation; he’s still considered some sort of giant, but it’s more residual reputation than actual achievement. He never could play comedy, or more accurately, he wasn’t personally funny aside from whatever business or line they gave him. In comedies, he tended to act like an overgrown puppy, putting his head down, looking up with his big brown eyes, shuffling and stumbling, raising his voice to bark at the other actors. In Libeled Lady, he plays a standard ’30s part—the ruthless, manipulative, anything-for-a-story newspaper editor. Cary Grant made the same character charismatic and hilarious in His Girl Friday, but the best Tracy can manage is to be a good sport.

This feels pretty accurate to me. I can’t think of a single performance I thought Tracy was great in. He’s fine working with Hepburn, though that several of those movies end up humiliating her in the end because she’s a strong woman can be hard to stomach.

But it’s interesting to think about the academy of the overrated in the first half-century of film.

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