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The Ending

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The first two hours of There Will Be Blood are unassailably outstanding; if you don’t think it’s one of the best American pictures of recent years I don’t know what to say other than that tastes differ (i.e. mine is good.) Not only is Day-Lewis exceptional as always, he has a director with an eye to match. The ending will be much more divisive even among people who otherwise admire the film; see, for example Christopher Orr. But, granting that I loved the pretentious-on-paper Raging Bull homage that concluded Boogie Nights and don’t even dislike the plague-of-frogs ending of Magnolia, like Yglesias I didn’t find it particularly objectionable. There is a powerful internal logic to the last sequence; more than anything, Plainview can’t accept abjection, and his revenge makes sense (although I need to see it again before being sure about the bowling-alley sequence.) I did think that the penultimate scene was by far the weakest in the picture; it went on to long and the twist is an overused one. But it’s a trivial weakness given the overall virtues of the film. And it’s a nice recovery for Anderson; although both Magnolia and Punch Drunk Love had significant virtues (the latter actually holds up better for me) he hasn’t been this fully in command of his exceptional talent since Boogie Nights. I can’t wait for his next one.

UPDATE: Interesting thoughts from Glenn Kenny.

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