This is more Scott’s beat than mine, but evidently Chuck Klosterman — the nitwit who couldn’t spend 30 minutes or so actually listening to a tUnE-yArDs album (“wow, their lyrics are hard to decipher, and Merrill Garbus was a puppeteer once, and she looks androgynous, and that makes me feel funny in my tummy”) — is now willing to engage in an entire evening of urban anthropology to discern the mystery of Creed and Nickelback. It’s not quite Slate-level cultural contrarianism, but there’s a root ancestor there somewhere.
The day before the New York show, Kroeger appeared on a Philadelphia radio station4 and was asked (of course) why people hate Nickelback so vehemently. “Because we’re not hipsters,” he replied. It’s a reasonable answer, but not really accurate — the only thing hipsters unilaterally loathe is other hipsters, so Nickelback’s shorthaired unhipness should theoretically play to their advantage. A better answer as to why people dislike Nickelback is tautological: They hate them because they hate them. Sometimes it’s fun to hate things arbitrarily, and Nickelback has become an acceptable thing to hate. They’re technically rich and technically famous, so they just have to absorb the denigration and insist they don’t care. They have good songs and they have bad songs, and the bad songs are bad enough to build an anti-Nickelback argument, assuming you feel like that’s important. But it’s never required. It’s not like anyone is going to contradict your thesis. There’s no risk in hating Nickelback, and hating something always feels better than feeling nothing at all.
Oh, sweet suckling Jesus, do fuck off now.